{title: Four Strong Winds} {artist: Ian Tyson} {album: Four Strong Winds (1963)} {key: D} {tempo: 90} {difficulty: beginner} {tags: canadiana,ian-tyson,duet,prairie} {video: youtube:lnqqiEeSa5k} {credit: Ian & Sylvia - 'Four Strong Winds' (Vanguard, 1963 - the first recording). Written by Ian Tyson.} {c: Voted greatest Canadian song of all time by CBC listeners (2005). Written by Ian Tyson in 20 minutes, 1961, in a Greenwich Village apartment.} {c: Originally a duet (Ian & Sylvia). Works beautifully as a M/F harmony — melody on top, third below.} {c: Lyrics copyright Slick Fork Music. Chord skeleton below. Full lyrics widely available; original recording is the gold standard.} {c: ===== STRUCTURE =====} {c: Verse → Chorus → Verse → Chorus → Verse → Chorus → Final chorus} {c: ===== VERSE PROGRESSION (in D) =====} [D]________ [G]________ [A]________ [D]________ [D]________ [G]________ [A]________ [D]________ [Bm]________ [G]________ [A]________ [D]________ [D]________ [G]________ [A]________ [D]________ {c: ===== CHORUS PROGRESSION =====} {c: "Four strong winds that blow lonely / seven seas that run high"} [D]________ [G]________ [A]________ [D]________ [D]________ [G]________ [A]________ [D]________ [Bm]________ [G]________ [A]________ [D]________ [D]________ [A]________ [D]________ {c: ===== PERFORMANCE NOTES =====} {c: Strum: gentle 6/8 lilt or steady 4/4 with light boom-chuck. Don't crowd the vocal.} {c: Tempo: SLOW. This is a song about loneliness and prairie distance. Resist the urge to rush.} {c: Capo 2 puts it in C-shapes (easier on the voice for some).} {c: Capo 4 puts it in B♭-shapes (Neil Young's recording uses this register).} {c: ===== DUET ARRANGEMENT =====} {c: Verse 1: melody alone (one voice).} {c: Chorus 1: add harmony — third below the melody on the long notes.} {c: Verse 2: switch lead voice if you want, or trade lines.} {c: Choruses 2 and 3: full harmony throughout.} {c: Final chorus: pull back to one voice on the last line for emotional release.} {c: ===== WHY THIS SONG =====} {c: It's the song every Canadian folk musician learns. Neil Young covered it. Johnny Cash covered it. Bob Dylan called it one of his favourite songs. The chord progression is dead simple — it's the melody and the lyric that do the work. If you can sing this with your partner, harmonies clean, in tune, slow tempo holding — you've arrived.}